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Pat Fish had given a copy of the demo tape to Dave Barker, the owner of the independent record label Glass Records, to whom Fish's band The Jazz Butcher were signed.Spacemen 3 signed a three-year, two-album recording contract with Glass Records in early 1986.in Autumn 1982, both aged 16, and became close friends.Pierce was in a band called Indian Scalp, but he left them near the end of 1982 in order to collaborate with Kember.By this time they had reconfigured and honed their musical style, and their repertoire consisted of newer songs and re-worked older ones."The band's sound had crystallised into the intense, hypnotic, overloaded psychedelia which characterised their early [record] output, and which would serve as a template for their live act throughout their existence" (Ian Edmond, Record Collector).The two guitarists recruited drummer Tim Morris, who played with a couple of other bands and had a rehearsal space at his parental home which they used.
So we stuck the 3 on afterwards – that came about from a poster we did which had "Are Your Dreams At Night 3 Sizes Too Big?
Their gigs had an 'anti performance' element: Kember and Pierce would play their guitars sitting down and would barely acknowledge the audience.
They would illuminate the stage with some cheap, old optokinetic disco light-show equipment which they had acquired, providing a psychedelic backdrop. We purposely, really wilfully made sure that we disenfranchised anyone who might've just stumbled upon us.
Kember and Pierce opted to upgrade their guitar equipment ahead of recording the new demos.
Kember purchased a Burns Jazz electric guitar and 1960s Vox Conqueror amplifier; whilst Pierce bought a Fender Telecaster and a 1970s HH amplifier.
They spent three-and-a-half days at the 16-track studio.